THE ANGELS 1981-1987
Night Attack is the fifth album by Australian band The Angels, it was released in 1981. It had its domestic release under their own name by Liberation Music. The album peaked at #11 on the National albums chart. For the 1982 American release of Night Attack by Epic Records, they used the band name Angel City. In June 2002, Shock Records issued The Complete Sessions 1980 - 1983. The 4-CD box set included remasters of Dark Room (9 bonus tracks), Night Attack (9 bonus tracks), Watch The Red (5 bonus tracks) and The Blow (2-CD set). In June 2006, Liberation Music re-issued Night Attack from The Complete Sessions 1980 - 1983. The album peaked at number 13 on the ARIA Charts and it also charted at number 14 on the Recorded Music NZ.
Watch the Red is the sixth album by Australian band The Angels. It was released in 1983. In June 2002, Shock Records issued The Complete Sessions 1980 - 1983. The 4-CD box set included remasters of Dark Room (9 bonus tracks), Night Attack (9 bonus tracks), Watch The Red (5 bonus tracks) and The Blow (2-CD set). In June 2006, Liberation Music re-issued Dark Room from The Complete Sessions 1980 - 1983. The album charted at number 6 on the ARIA Charts and number 43 on the Recorded Music NZ.
Two Minute Warning is the seventh album by Australian band The Angels, released in 1984. This is the domestic release under their own name. It was released in the US under their name Angel City. The album peaked at number 2 on the ARIA Charts and it peaked at number 31 on the Recorded Music NZ.
Howling is the eighth album by Australian hard rock band The Angels, released in 1986.The album charted at number 6 on the ARIA Charts and it peaked at number 10 on the Recorded Music NZ.
Live Line is double live album by Australian hard rock band The Angels originally released in December 1987. It reached No. 3 on the ARIA Albums Chart and No.14 on the New Zealand Albums Chart. The collection spanned ten years of the band's career. The majority of the album was recorded at the Bankstown RSL Club in Sydney, with some tracks taken from earlier tours featuring John Brewster. The CD version of Liveline included several songs not included on the vinyl release. A live version of "Am I Ever Gonna See Your Face Again" was issued as a single, as was a medley of "Love Takes Care" and "Be With You". Following the success of the album, The Angels embarked on a massive tour of Australia with a lengthy three-hour show, with three sets chronologically spanning the bands entire history.
40 Years of Rock Vol 1: 40 Greatest Studio Hits is a three-disc greatest hits album by Australian hard rock group, the Angels, released on 2 May 2014. The album includes all 40 songs by The Angels career from 1974-2014.
Download: THE ANGELS - Night Attack (1981) @320
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THE ANGELS - Watch The Red (1983) @320
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THE ANGELS - Two Minute Warning (1984) @320
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THE ANGELS - Howling (1986) @320
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THE ANGELS - Liveline (1987) @320
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THE ANGELS - 40 Years Of Rock - Vol.1 [40 Greatest Studio Hits] (2014) @320
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FOCUS - Hocus Pocus Box (2017)
A comprehensive 13CD box set collecting the work of one of the most artistically and commercially successful Progressive Rock artists of all-time. Uniquely fusing Jazz, Classical and Rock styles, Focus primarily revolved around the extraordinary talents of guitarist Jan Akkerman and flautist, keyboard player and occasional yodeller Thijs van Leer. The Hocus Pocus Box includes all the band's studio albums (1970 to 2012), plus the classic live album Live At The Rainbow (1973) and a greatest hits set from 2001. Presented in card sleeves (featuring the original artwork) in a 141 x 124 x 35 mm box with a booklet.
Albums include: 1970 - In And Out Of Focus, 1971 - Moving Waves, 1972 - Focus 3, 1973 - At The Rainbow, 1974 - Hamburger Concerto, 1975 - Mother Focus, 1976 - Ship Of Memories, 1977 - Focus Con Proby, 1985 - Ian Akkerman & Tijs Van Leer - Focus, 2001 - Hocus Pocus: The Best Of Focus, 2002 - Focus 8, 2006 - Focus 9 - New Skin, 2012 - Focus X
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WILLIE NELSON - It Will Come To Pass: The Metaphysical Worlds And Poetic Introspections Of Willie Nelson (2014)
Before Willie Nelson the Icon. there was Willie Nelson - sublime songsmith and struggling recording artist. Years ahead of his time, Willie languished in relative obscurity as RCA Victor producer extraordinaire Chet Atkins turned this way and that, in a desperate attempt to place Nelson on the charts and into public consciousness. The one thing that shone through all the wilderness years was Willie's undeniable talent and introspective muse. For the very first time Willie's rare, misunderstood and poetic sides from his mid-1960s-early 1970s tenure at RCA Victor are curated and presented with love and care. Astonishing and mind-bending cuts like Jimmy's Road and It Will Come To Pass are just a taste of some of the most philosophical and lysergic sounds ever captured in a Nashville studio. This deluxe edition is remastered from the original RCA Victor mastertapes and presented with exclusive liner notes, rare photos and unreleased tracks.
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JONI MITCHELL - Song To A Seagull (1968) & Clouds (1969) & Ladies Of The Canyon (1970) & Blue (1971)
Song to a Seagull (also known as Joni Mitchell) is the debut album by Canadian singer-songwriter Joni Mitchell. Produced by David Crosby, the album was recorded in 1967 at Sunset Sound and released in March 1968 by record label Reprise. Crosby wanted Mitchell to sound pure and natural, so he asked her to sing into the studio grand piano, and set up extra microphones to capture her voice repeating off the strings; unfortunately the set up captured too much ambient noise, resulting in excessive tape hiss, which could only be removed post-production at the cost of the high sounds in the audio range, which gives the album a flat feel. Mitchell had written songs that were hits for other artists (e.g., "Both Sides Now" and "Chelsea Morning" by Judy Collins and Dave Van Ronk, "Eastern Rain" by Fairport Convention, "Urge for Going" and "The Circle Game" by Tom Rush), but none of those songs were recorded for her debut.
Clouds is the second studio album by Canadian singer-songwriter Joni Mitchell, released on May 1, 1969, by Reprise Records. After releasing her debut album to considerable exposure, Mitchell recorded the album at A&M Studios in Hollywood. She produced most of the album and painted a self-portrait for its cover artwork. Clouds has subtle, unconventional harmonies and songs about lovers, among other themes. Clouds charted at number 22 in Canada and number 31 in the United States. It has been certified gold by the Recording Industry Association of America, for shipments of 500,000 copies in the US. Clouds was generally well received by music critics.
Ladies of the Canyon is the third studio album by Canadian singer-songwriter Joni Mitchell, released in 1970. The title makes reference to Laurel Canyon, a centre of popular music culture in Los Angeles during the 1960s. The album includes several of Mitchell's most noted songs, such as "Big Yellow Taxi", "Woodstock" and "The Circle Game". The album is notable for its expansion of Mitchell's artistic vision and its varied song topics (ranging from the aesthetic weight of celebrity, to observation of the Woodstock generation, to the complexities of love). Ladies of the Canyon is often viewed as a transition between Mitchell's folky earlier work and the more sophisticated, poignant albums that were to follow.
Blue is the fourth studio album by Canadian singer-songwriter Joni Mitchell. Exploring the various facets of relationships from infatuation on "A Case of You" to insecurity on "This Flight Tonight", the songs feature simple accompaniments on piano, guitar and Appalachian dulcimer. The album peaked at number 3 on the UK Albums Chart and number 15 on the Blllboard 200. Today, Blue is generally regarded by music critics as one of the greatest albums of all time; Mitchell's songwriting and compositions are frequent areas of praise. In January 2000, the New York Times chose Blue as one of the 25 albums that represented "turning points and pinnacles in 20th-century popular music".
Download: JONI MITCHELL - Song To A Seagull (1968) @320 & Clouds (1969) @320
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JONI MITCHELL - Ladies Of The Canyon (1970) @320 & Blue (1971) @320
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THE ISLEY BROTHERS & SANTANA - Power Of Peace (2017)
"The first time I saw Carlos Santana, he was standing onstage at Woodstock in 1969," says Ernie Isley. "And Id only been playing guitar for less than a year!" Nearly a half-century later, 65-year-old Ernie and his 76-year-old brother Ronald, best known as funk legends The Isley Brothers, linked up with Santana for Power of Peace. The collaborative LP, out July 28, combines soul harmonies and swift guitar licks with a political righteousness advertised in the projects title. "The theme is spiritual divine medicine to counter the fever-pitch fear thats permeating this planet right now," Santana told Billboard of the project in June. Recorded in Las Vegas in 2016, Power of Peace features renditions of songs by Stevie Wonder ("Higher Ground"), The Chambers Brothers ("Love, Peace, Happiness") and Burt Bacharach ("What the World Needs Now Is Love Sweet Love"). "Every era has its song ... to help alleviate the condition of brutality and war." For Santana, Power of Peace and a potential sequel represent more than an enjoyable studio pairing. "This [music] wakes you up beyond religion, beyond politics, beyond nations," says Santana. "Its our duty to do this."
TRACKS: 01. Are You Ready 02. Total Destruction to Your Mind 03. Higher Ground 04. God Bless the Child 05. I Remember 06. Body Talk 07. Gypsy Woman 08. I Just Want to Make Love to You 09. Love, Peace, Happiness 10. What the World Needs Now Is Love Sweet Love 11. Mercy Mercy Me (The Ecology) 12. Let the Rain Fall On Me 13. Let There Be Peace On Earth
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RAINBOW - Since You Been Gone - The Essential (2017)
Rainbow (also known as Ritchie Blackmore's Rainbow or Blackmore's Rainbow) are a British rock band led by guitarist Ritchie Blackmore, active from 1975 to 1984 and 1993 to 1997, and again since 2015. They were originally established with Ronnie James Dio's American rock band Elf, but after the first album, Blackmore fired the backing members and continued with Dio until 1979. Three British musicians joined in 1979, singer Graham Bonnet, keyboardist Don Airey, former Deep Purple bassist Roger Glover, and this line-up gave the band their commercial breakthrough with the single "Since You Been Gone". Over the years Rainbow went through many line-up changes with no two studio albums featuring the same line-up. Other lead singers Joe Lynn Turner and Doogie White would follow, and the project consisted of numerous backing musicians. A pioneer to power metal, the band's early work primarily featured mystical lyrics with a neoclassical metal style, but went in a more streamlined, commercial direction following Dio's departure from the group. Rainbow were ranked No. 90 on VH1's 100 Greatest Artists of Hard Rock. The band has sold over 28 million records worldwide.
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HARD STUFF - The Complete Purple Records Anthology 1971-1973 (2017)
Formed in London, England, in 1972, Hard Stuff comprised John Cann (guitar/vocals), Paul Hammond (drums) - both formerly of Atomic Rooster - and John Gustafson (bass; ex-Quatermass). They secured a recording contract with Purple Records, a label owned by Deep Purple, for which they completed two heavy, power trio styled, selections. Hard Stuff supported Captain Beefheart And His Magic Band on a 1973 UK tour, a musical mismatch which did much to undermine the British bands emergent reputation. They split up in 1973, after which Gustafson became an in-demand session musician. Cann later enjoyed a novelty hit, Dont Be A Dummy (1979), under the name John Du Cann.
Bulletproof is the first album by the 1970s British rock band Hard Stuff. It was released on Purple Records, the Deep Purple-related record label. It also featured vocalist Harry Shaw, formerly of Curiosity Shoppe (who recorded one single on Deram), but he had left the band by the time of its release and was uncredited. The record sleeve was re-designed to remove Shaw's image (originally shown on the bottom right hand side).
Bolex Dementia is the second and final album by the 1970s British rock band Hard Stuff. During the recording of the album, two members of the band (John Cann and Paul Hammond), were injured in a serious car accident in Belgium. Cann had been sitting in the front passenger seat of their Ford Zodiac and suffered an injured back and broken ribs, while Hammond, who had been asleep in the back seat, broke both his legs. Cann spent a week in hospital in Ostend, and Hammond two months. The band managed to finish recording Bolex Dementia, but Cann later stated, "When I listen to it, it sounds a little patchy and not how we intended it to be... It still has its good moments but it's a shame it all happened the way it did." Hard Stuff split shortly after the release of the album, and the members went their separate ways. After declining to rejoin Atomic Rooster, Cann briefly joined Thin Lizzy before recording a solo album, The World's Not Big Enough. Gustafson joined Roxy Music and later the Ian Gillan Band, while Hammond continued to recover from his injuries before working with Cann on his solo album.
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LAURA COX BAND - Hard Blues Shot (2017)
Laura Cox started posting her guitar solos on Youtube in 2008, and has since become one of the best-known girl guitar players on Internet. Laura is a rare blend of twenty-first century talent and traditional musical values, and she was among the first to work using 2.0 tools, mainly Youtube. The figures alone are impressive: more than 50 million views and 220 000 subscribers on Youtube and more than 150 000 Likes on her Facebook page, since it was created in 2013. But Laura had an increasing desire to play rock & roll live, the way it should be, and to get on the road, so she decided to make the change from virtual to real , and form her own group. At this point, Laura met Mathieu Albiac, another young and talented guitarist, with similar musical passions. In 2013, the two of them formed The Laura Cox Band, based in the Paris region, and the project was born...
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THE HOUR GLASS
Hour Glass were a 1960s rhythm and blues band based in Los Angeles, California in 1967 and 1968. Among their members were two future members of the Allman Brothers Band (Duane Allman and his brother Gregg) and three future studio musicians at the world-renowned Fame Studios in Muscle Shoals, Alabama (Pete Carr, Johnny Sandlin and Paul Hornsby).
Hour Glass is the debut album by the group of the same name, issued in October 1967 on Liberty Records, the first of two by the group that featured the namesakes of The Allman Brothers Band. The album was recorded by a group saddled by a producer unable to quite realize the group's potential. Dallas Smith, a formulaic producer noted for his work with Bobby Vee, knew the group was from the South. He knew they had formed from the ashes of groups that had performed liberal amounts of blues covers. And he heard soulful qualities in the voice of nineteen-year-old Gregg Allman. Therefore, he referred to them as a "Motown band", much to the chagrin of the group. Hour Glass was recorded with an emphasis on lead vocalist Gregg Allman's voice and dispensing with nearly all original material. Of the eleven tracks on the original LP, only one was penned by a group member, Gregg Allman's "Got To Get Away". The remaining ten were written by songwriters running the gamut from Curtis Mayfield and Jackson Browne to Del Shannon and the Goffin-King team. The Hour Glass performed the basic tracks, which were overdubbed by Smith with layers of vocals and instrumentation. The album was a failure in both sales terms and in properly showcasing the group. On the follow-up, 1968's Power of Love, the group would be given a bigger role in the making of the album.
Power of Love was the second studio album by Hour Glass, issued in March 1968 on Liberty Records, the final by the group with the namesakes of The Allman Brothers Band. After the failure of their first album, Liberty Records allowed a greater independence for the group, who had been virtually shut out of the decision making for their first album by the label and producer Dallas Smith. However, with the label's decision to retain Smith as producer, the group, especially Duane Allman, once again felt constricted by their label's expectations for the album. With Smith behind the boards, Gregg Allman was still the focus. The younger Allman, who had seen only one of his compositions on the previous album, contributed seven of the twelve tracks. The remainder were two from Marlon Greene and Eddie Hinton and one each from the teams of Spooner Oldham and Dan Penn, John Berry and Don Covay, and John Lennon and Paul McCartney. The group performed all of the instrumentation, with Duane Allman adding electric sitar to their cover of The Beatles' "Norwegian Wood (This Bird Has Flown)", a staple of their live act. Neil Young of Buffalo Springfield wrote the liner notes, describing his experience sitting in on the session for the album track "To Things Before", watching Gregg Allman leading the group through the number.
THE HOUR GLASS - Southbound (2004)
Southbound is a compilation record by Hour Glass, featuring outtakes from each of the group's two albums for Liberty Records, Hour Glass (1967) and Power of Love (1968) as well as material recorded by Gregg Allman in 1968 and 1969 with session musicians in order to prevent Liberty Records from suing the group due to their disbanding. All of the material has been previously released on the 1992 EMI reissues of Hour Glass and Power of Love, both now out of print.
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THE HOUR GLASS - Power Of Love (1968) @320
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THE HOUR GLASS - Southbound (2004) @320
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STRAY
Stray are a British band formed in 1966. Vocalist Steve Gadd (born 27 April 1952, Shepherd's Bush, London), guitarist Del Bromham (born Derek Roy Bromham, 25 May 1951, in Acton, London) (ex Tradera), bass player Gary Giles (born Gary Stephen Giles, 23 February 1952, in London) and drummer Steve Crutchley (born 1952) formed the band whilst all were attending the Christopher Wren School in London. Richard "Ritchie" Cole (born 10 November 1951, in London) replaced Crutchley in 1968.
They signed to Transatlantic Records in January 1970. The group's brand of melodic, hook-laden hard rock proved to be a popular draw on the local club scene during the early 1970s. However the band did not have commercial success with its record releases. At one stage Charlie Kray, (brother of the Kray twins Ronnie and Reggie), was their manager. Gadd left the band in 1975 due to artistic differences and was replaced on vocals by Pete Dyer.
The original Stray finally dissolved in 1977, although Bromham later continued to play in various resurrected versions of the project well into the 2000s. There are two Iron Maiden connections to Stray. The early song "All in Your Mind" from the Stray 1970 debut album was covered by Maiden, and Maiden bassist Steve Harris's daughter Lauren has covered "Come On Over". From late 2006 until early 2007, the band's back catalog of eight studio albums issued originally during the 1970s were re-released by the UK-based Sanctuary Records in compact disc format. The new releases are remastered and add bonus tracks culled from single B-sides, studio outtakes and BBC broadcast sessions.
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STRAY - Suicide (1971) [2006] @320
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STRAY - Saturday Morning Pictures (1972) [2006] @320
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STRAY - Mudanzas (1973) [2006] @320
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V.A. - Gunsmoke Vol. 1 & 2 (2017)
Stag-O-Lee present the first and second volume of the new limited edition series, Gunsmoke. The first two volumes were previously vinyl-only releases). This is a collection of oddball country weepers, moody rockabilly, and popcorn noir from the 1950s and early '60s. So turn out the lights, sit back and relax to the soundtrack from a jukebox in a ghost town. For best results: listen to after dark. The CD combines the first two vinyl volumes for 25 tracks in all: Includes "Come Back Juanita" by Juan Montego & His Habana Sound, "Pale Faced Indian" by Marvin Rainwater, "Satan's Chauffeur" by Jimmy Minor, "Silver Coin" by Ken & Carol Crag, "Watcha Gonna Do" by Hayden Thompson, "The Klan" by The Gatemen, "Mad Witch" by Dave Gardner, "Laughing All Over My Grave" by Ray Stevens, "They Took John Away" by Steve Arlen, "Don't Jump" by Billy Fury, "The Hanging Day" by Warren Smith, "Riding Shotgun" by Danny Welch, "Satan Is Her Name" by Steve King & The Echelons, "Born To Love One Woman" by Ric Cartey, "All I Can Do Is Cry" by Johnny Bond, "Gringo" by El Clod, and "Baby Doll" by The Magnificent Seven.
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CHARLIE DANIELS - The Roots Remain (1996)
Charles Edward "Charlie" Daniels is an American multi-instrumentalist, actor, lyricist, and singer, known for his contributions to country, bluegrass, and Southern rock music. He is perhaps best known for his number one country hit "The Devil Went Down to Georgia". Daniels has been active as a singer and musician since the 1950s. He was inducted into the Grand Ole Opry on January 24, 2008 and the Musicians Hall of Fame and Museum in 2009. Daniels was inducted into the Country Music Hall of Fame in 2016. A talented and showy fiddler, Charlie Daniels and his band fuse hardcore country with a hard-edged Southern rock, boogie, and blues. The group - which has had a rotating cast of musicians over the years - has always been known for its instrumental dexterity, but Daniels and company were also notorious for their down-home, good-old-boy attitude; in the early '80s, they became a virtual symbol of conservative country values. Daniels and his band experienced the height of their popularity at the end of the '70s and early '80s, but they remained a popular concert attraction well into the '90s.
The Roots Remain is a three-disc box set covering the Charlie Daniels Band's entire career. Over the course of 45 songs, the box touches upon all of his hits - including "The Devil Went Down to Georgia,""Long-Haired Country Boy," and "Uneasy Rider" - plus key album tracks, B-sides, and several unreleased and rare gems, such as his take on Eric Clapton's "Layla." Roots Remain is the most comprehensive compilation of Charlie Daniels recordings ever assembled and it misses very few important tracks, making it the one definitive retrospective.
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TOE FAT - Toe Fat & Toe Fat II (1995)
Toe Fat was an English rock music band, active from June 1969 to 1971, notable for including two future members of Uriah Heep. Formed in June 1969, the band was fronted by former Rebel Rouser Cliff Bennett and, in the course of its two-year, two-album career, featured lead guitarist and keyboardist Ken Hensley; bassist John Glascock (who replaced original bassist John Konas (Joseph Stanley Konas)); and drummer Lee Kerslake. After the first album, Kerslake and Hensley were replaced by Brian Glascock (drums) and Alan Kendall (guitar) respectively. The band was founded by Bennett, a former pop star, after the dissolution of the Cliff Bennett Band. He teamed with the former Gods keyboard player Hensley, who drafted in fellow ex-Gods members Kerslake and Glascock. The name was decided over dinner when Bennett and his manager attempted to create the most disgusting band name possible.Toe Fat was signed to the record label, Rare Earth, in the US. In the UK, the band signed with EMI, who released their first album on the Parlophone label, and the second on Regal Zonophone.
The eponymously titled first album flopped commercially, but gained considerable critical praise. Such was their stir that after their first single, "Workin' Nights", (the B-side was an early Elton John composition "Bad Side of the Moon") they were booked for a tour supporting Derek and the Dominos in the US. The album was also notable for its cover designed by the recently formed graphic art company Hipgnosis. The cover showed a beach scene with four people who have large toes superimposed over their heads. For the US release, a man and a topless woman in the background were replaced by the image of a sheep. The photo of the band on the back of the US album shows Cliff Bennett, Alan Kendall, John Glascock, and Lee Kerslake even though Alan Kendall did not play on the first album. This was an interim line-up, Lee Kerslake would soon depart also before second album was recorded.
DISC 1 - Toe Fat (1970): 01. That's My Love For You 02. Bad Side Of The Moon 03. Nobody 04. The Wherefors And The Why's 05. But I'm Wrong 06. Just Like Me 07. Just Like All The Rest 08. I Can't Belive 09. Working Nights 10. You Tried To Take It All
DISC 2 - Toe Fat Two (1971): 01. Stick Heat 02. Indian Summer 03. Idol 04. There'll Be Changes 05. A New Way 06. Since You've Been Gone 07. Three Time Loser 08. Midnight Sun
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HEAD MACHINE - Orgasm (1970)
Before playing with Cliff Bennets band Toe Fat, Ken Hensley and Lee Kerslake (later together again in Uriah Heep) found time to record an album for a specific project called Head Machine, although it was supposed to be released as The Gods third album. The title of the album was Orgasm. The producer of the album was David Paramor, who also produced The Gods albums. The music is good, but not outstanding, and the style is something between The Gods and Toe Fat. Ken describes this project as a mercenary one, which means that they were involved only for the money, professionally speaking. He states that it wasnt really his band, and there are some doubts about the songwriting credits, since on the album its written that Paramor composed all the songs, but theres deffinitely a Ken Hensley touch on them. It is one of the heaviest records that Hensley has ever been involved.
TRACKS: 01. Climax - You Tried To Take It All 02. Make The Feeling Last 03. You Must Come With Me 04. The Girl Who Loved, The Girl Who Loved 05. Orgasm 06. The First Time 07. Scattering Seeds
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THE GODS - Genesis (1968) & To Samuel A Son (1969)
The Gods were an English group founded in 1965. The original band members included Mick Taylor (later with John Mayall's Bluesbreakers and The Rolling Stones), Brian Glascock, his brother John (later with Jethro Tull), keyboardist Ken Hensley (later with Uriah Heep) and Joe Konas. Lee Kerslake (drums) joined in 1967 and would later also play in Uriah Heep. Greg Lake (later of Emerson Lake Palmer fame) joined in 1967 and left the band after approximately one year.
After recording two albums, Genesis (1968) and To Samuel a Son (1969), they signed with a new record company, recruited Rebel Rousers singer Cliff Bennett and formed Toe Fat, which also lasted two years and two albums. In 1970, they published an album under the pseudonym Head Machine, untitled "Orgasm" with Ken Hensley on keys, guitars and vocals, John Glascock on bass, Joe Konas on guitars and Lee Kerslake on drums.
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THE GODS - To Samuel A Son (1969) @320
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NATIONAL HEAD BAND - Albert 1 (1971)
2008 digitally remastered edition of this lost Progressive Rock classic. Formed in 1969 from the ashes of Liverpudlian band the Business, Albert 1, released in 1971, featured future Thin Lizzy, Caravan and Camel keyboard player Jan Schelhass, future Uriah Heep drummer Lee Kerslake, guitarist Neil Ford and bass guitarist David Paull (soon to join Jonesy). Produced by Yes and ELP engineer Eddie Offord, the album features wonderful material such as "Got No Time" and "Mister Jesus". Albert 1 is one of the few Progressive albums of note not to receive an officially sanctioned release until now.
TRACKS: 01. Got No Time 02. You 03. Too Much Country Water 04. Lead Me Back 05. Listen To The Music 06. Islington Farm 07. Try To Reach You 08. Brand New World 09. Mister Jesus
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BARBARA LYNN - Here Is Barbara Lynn (1968)
To be a woman singing your own blues and soul songs in 1960s Texas was a rare thing. To do so while brandishing a left-handed Stratocaster and bashing out hard-edged licks was even rarer. Yet that's just what Barbara Lynn did, inspired by Guitar Slim, Jimmy Reed, Elvis Presley and Brenda Lee. And it was a hit: her 1962 debut single, You'll Lose A Good Thing, recorded with session musicians including Dr. John, gave her an R&B chart Number One and a Billboard chart Top 10 hit. It was a path that Lynn chose at elementary school in 1940s Beaumont, Texas, when she told her mother she wanted to play guitar. ''I decided that playing piano was a little bit too common, you know what I mean'' says Lynn in the new liner notes. ''You'd always see a lady or a little girl sitting at a piano. I decided I wanted to play something more unexpected, so that's when I got interested in learning to play the guitar.'' Self-taught, first on the ukulele and then on a guitar, Lynn formed her first group, Barbara Lynn and Her Idols, while still at school and soon took the local scene by storm. Hers was a powerful talent in a petite package, a performer who could stand up against the best - even as a teenager.
Spotted while performing, underage, in Louisiana, she was offered the chance to record her own material, songs that filtered the experience of being a black Texan teen with power, feel, and guts. Ten of the twelve tracks on her debut album were her own compositions. ''It took a lot of time,'' Lynn remembers of the recording process, ''but we got Good Thing, we got our hit. I loved it. I loved meeting the new musicians; a lot of the guys who played on that record became friends. And seeing how the engineers worked and how they produced the sounds, all of that was really interesting to me.'' The success of that single took Lynn out on the road with the likes of Stevie Wonder, Gladys Knight, BB King, The Supremes, Chuck Berry, Guitar Slim, and The Temptations. BB King even wrote a letter to Lynn's mother to tell her what a talented daughter she'd raised. She appeared at the Apollo Theater, she was twice on American Bandstand, and one of her songs, Oh Baby (We've Got A Good Thing Goin') was covered by The Rolling Stones. Though she was a precocious performer, hers is a talent that came to full bloom on Here Is Barbara Lynn, her 1968 album produced by Huey P. Meaux and originally released on Atlantic Records. The record was conceived as an introduction to Lynn's prodigious talents: her deeply felt guitar playing, her gutsy soulful singing skills, and her songwriting prowess. It combined her early hit with a raft of new songs, each packed with Lynn's passion and fire. Yet the introduction to her world - now reissued by Light In The Attic - largely proved to be her swansong. She married in 1970, aged 28, had three children, and largely retired from the music industry for most of the '70s and '80s. Now touring again, she's amused to think of her 46 year-old album gaining new fans. ''I hear this album, and it seems like... it seems like the old times to me,'' she says. ''I don't know, it's strange to know it's coming out again. It is going to be a wild, first time thing for me, like going back in time. But I'm excited to see what happens.''
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05/08/2017 - 12:00: iShoutbox is currently being updated.
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JERRY LEE LEWIS - Four Original Mercury Albums (2017)
Four LPs on two cds make great value, especially when you take it into account you not only have the killer Jerry Lee Lewis but also his sister, Linda Gail Lewis. Linda when asked, performed good ol southern country soul (and gospel) and had the sass to go with it! Such is the chemistry between the siblings I am prompted to question why didnt they do more together. Or why didnt Jerry Lee record more duets When it came to singing a heartfelt country song there wasnt too many who could match never mind outdo the Ferriday, Louisiana-born, piano playing legend. During this collection you will, I am sure enjoy ol Jerry Lees efforts. Taken from recordings made during 1969 and 1970, and of almost a decade later he was back performing rocknroll with Keeps Rockin. In title alone it pretty much informs the listenrt where Lewis heart was at that moment in time. As Lewis has always been prone he flipped from country, r&b country to rocknroll (and gospel too) from a tender age. I guess, his upbringing and at times colourful marriages would also have been a persuasion. Lewis showmanship likewise had a bearing on the material as he would take a song, both live, and in the studio and turn it on its head.
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THE BEATLES - Anthology 1 - 3 (1995/96)
The Beatles Anthology is the name of a television documentary, a three-volume set of double albums, and a book focusing on the history of the Beatles. Paul McCartney, George Harrison and Ringo Starr all participated in the making and approval of the works, which are sometimes referred to collectively as the Anthology project, while John Lennon had archival interviews. To accompany the Anthology series, three albums were issued, each containing two CDs or three vinyl LPs of mostly never-before-released Beatles material (the exceptions being the Tony Sheridan-era material), although many of the tracks had appeared on bootlegs for many years prior.
Two days after the first television special in the series had aired, Anthology 1 was released to stores, and included music recorded by the Quarrymen, the famous Decca Records audition tapes, and various out-takes and demos from the band's first four albums. It also included the song "Lend Me Your Comb", omitted from the collection Live at the BBC, released the previous year (1994). The song "Free as a Bird" was included at the very start. 450,000 copies of Anthology 1 were sold in its first day of release, the most sales for an album in a single day ever. The band's first drummer Pete Best, replaced by Ringo Starr in 1962 before the Beatles recorded professionally for EMI, received his first substantial Beatles royalties from this album, for the inclusion of early demo tracks on which he played. Anthology 2 was released on 17 March 1996. The second collection presented out-takes and demos from the Beatles' sessions for Help!, Rubber Soul, Revolver, Sgt. Pepper's Lonely Hearts Club Band, and Magical Mystery Tour. These included selected early demos and takes for Lennon's "Strawberry Fields Forever", previously available only to bootleg collectors. The new song "Real Love" - which, like "Free as a Bird", was based on an unfinished Lennon recording - was also included in the two-CD collection. Anthology 3 was released on 28 October 1996. The third collection featured out-takes and demos from The White Album, Abbey Road, and Let It Be as well as several songs from Harrison and McCartney which later became post-Beatle tracks.
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THE BEATLES - Anthology 2 (1996) @320
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THE BEATLES - Anthology 3 (1996) @320
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